All That Music & Video

In today’s fast-paced internet world, it’s easy to get lost in the whirlwind! Instead, just set your compass to a real record store–All That Music & Video. There is so much music available and thousands of titles to choose from. We can’t stock everything, but we can special order your request and have it for you the next day at no extra cost. Just stop in before 2 p.m. from Monday to Thursday. If your item is in stock with one of our regular vendors (most titles are), your CD will be available within 24 hours. How’s that for awesome service? No need to bother with extra charges, internet shipping charges, or waiting for the mail to finally arrive. We’re right here to help you get your music F-A-S-T! Why go anywhere else? Thank you for shopping at All That Music & Video. We hope to see you soon!

Popularity: 1% [?]

Here’s the latest Madonna video “Celebration”

and a couple of remixes by Benny Benassi and

Oakenfold.

Popularity: 11% [?]

Between The Buried And Me “Colors”

“Colors” is a continuous hour-long musical trek that, in my opinion, is truly a landmark album in the world of progressive metal. Not only did Between The Buried And Me manage to capture almost every element of the metal genre on this release but they even incorporated Ambient, Jazz,Country/Folk and even Polka. Yes, Polka.  Not very many acts can pull this off, yet BTBAM effortlessly crossed many musical boundaries on “Colors” with such fluidity & musicianship that it will be sure to influence many future fledgling bands.
One of the reasons that “Colors” remains to be one of my favorite albums is that BTBAM draw from their many influences without ever sounding like second rate copies. You can definitely hear the influence that bands such as Pink floyd, Rush, King Crimson and even Dream Theater have had on them.  They take the progressive sound that these groups have laid out before them and an build upon it by adding their own aggressive and extreme twist.

-Serge

The Police “Synchronicity”

“It’s such a great album because each song is so different… “Synchronicity i” just makes you want to run at lightning speed. The beat is so infectious: you just go crazy. “Miss Gradenko” brings it down a step and has a cool rhythm. “Wrapped Around Your Finger” is this dreamlike state floating you on the sea of sting. Of course there’s no denying the hit, “Every Breath You Take”. It’s not only the smooth feel of the song, but the words. When Sting sings, “since you’ve gone i’ve been lost without a trace/ i dream at night i can only see your face,” you cringe because you’ve been there too. The album ends with the ghost-like “Tea in the Sahara” with Sting singing the phrase over and over. I believe it is teatime. What a classic! Too bad this was their last album together. Viva the Police!!!

Sunny & The Sunliners “Carino Nuevo”“

Carino Nuevo” by Sunny and the Sunliners takes me back to my childhood in Odessa, Texas circa early 1960’s.  Each song brings a rush of bittersweet memories.  Back then was truly a time of discovery, innocence, and respect.  I recall many friends and relatives (some long gone) on any track i drop the needle on (of course I’m playing the vinyl).  I know I’m not the only one who feels this way.  The proof is in the undying popularity of this timeless recording.  After so many decades it remains a top seller and always will.

-Eddie

Led Zeppelin “IV“

Led Zeppelin’s IV is one of my favorite albums of all time. It captures Led Zeppelin at the height of their career. Each song has received radio airplay throughout the years. The album features Robert Plant’s and Jimmy Page’s great song writing abilities as well as the band’s unbelievable musicianship. “Stairway to Heaven” is still one of the most requested songs in history. The album features the heavy side of the band with songs such as “Black dog” and “Rock and Roll” as well as the acoustic, soft side with “Going to California” and “The Battle of Evermore. -Mike

The Beatles “Rubber Soul“

Besides having the three best beatle ballads of all time (“Girl”, “Michelle”, & “In my Life”), it contains the best blend of non-hit beatle songs and was their first concept album

”  -Bill

Popularity: 5% [?]

Tempting as it may be, Twang cannot be classified as a thematic counterpart to 2008’s Troubadour, an album that followed through on its rugged journeyman title. Once the opening title track twangs out of view, the album quickly veers toward the comfortably weathered balladeering that Strait has made his stock in trade for the better part of three decades now, quick enough to suggest that Twang might be little more than another reliably steady Strait record. To be sure, this is recognizably within his comfort zone — as always, when you do it as well as he does, there’s no need to change — but beneath that supple exterior there are a few surprises, chief among them the re-emergence of Strait the songwriter. George hasn’t penned many songs since the early ’80s, when his son George “Bubba” Strait, Jr. was just a baby, but now that he’s a grown man Bubba has turned into a songwriter in his own right, coaxing his dad into composing three songs with him, including the terrific tear-in-my-beer single “Living for the Night” and the breezy lament “He’s Got That Something Special” (Bubba also pens the excellent Johnny Cash homage “Arkansas Dave” on his own). These are change-ups, not curveballs; Strait saved his twists for the end, when he slides into some “Hot Grease and Zydeco” or goes full-on Mariachi for the closer “El Rey.” It’s these little twists — the stylistic stretches and original tunes — that give Twang some serious character and make it more than just another sturdy Strait record.

Here’s George Strait on the new album…

“Twang” featuring Strait’s new song, “El Rey” is available now!

Popularity: 6% [?]

Before she could utilize her talents for her own solo endeavors, R&B singer, vocal arranger, and songwriter Keri Hilson wrote a slew of songs, many of them chart-toppers, for several popular artists in the mid-2000s as part of the five-person production/songwriting team known as the Clutch. The dynamic songwriter was born in Decatur, GA, only a few miles outside of Atlanta. Addicted to TV talent shows like Star Search and Showtime at the Apollo, she was already plotting out her career in music at age 12. Even though her mother hired a piano teacher to encourage those talents, she mainly wanted to sing; therefore, Hilson converted those sessions into vocal lessons, accompanying the teacher on piano. In her mid- to late teens, her career jumped off as a songwriter and background vocalist, working under producer Anthony Dent (Destiny’s Child, Diddy). Born out of that relationship were two failed girl groups (named Pretty Toni and D’Sign) and, more importantly, a host of connections within the industry for whom she wrote or did backup vocals, including Usher, Ludacris, Kelly Rowland, Ciara, and up-and-coming Southern rap producer Polow da Don.
After Hilson graduated from high school, she managed to continue juggling all these tasks when she enrolled at Emory University in Atlanta. She eventually moved on from Dent and began working more with Polow da Don. Attending school while actively advancing her music career put a great demand on her, especially from being a member of the extremely versatile Clutch team. But as luck would have it, Polow introduced her to superproducer Timbaland, who wasted no time in signing the multi-talented songbird to his growing Mosley Music imprint in 2006. Over the next couple years, Hilson’s songwriting was practically ubiquitous, responsible for numerous hit singles, including Mary J. Blige’s “Take Me as I Am,” Omarion’s “Ice Box,” the Pussycat Dolls’ “Wait a Minute,” and Britney Spears’ “Gimme More.” She was also featured prominently on Timbaland Presents Shock Value, including the number three Billboard Hot 100 hit “The Way I Are.” With Timbaland and Polow in her corner, Hilson relied on the vast pool of recording artists and producers who needed (and wanted) to return the favor for her Mosley MusicInterscope debut. After a couple pre-release singles and numerous delays, In a Perfect World… was issued in March 2009, shortly after one of its tracks, “Turnin’ Me On,” had reached the Top 20 of the Hot 100.

Popularity: 100% [?]

I Am… Sasha Fierce is the third studio album by Beyoncé Knowles, first released on November 8, 2008 in Japan and later worldwide throughout November and December from record label Columbia Records. The album reached the top ten on thirty-two charts worldwide. It debuted at number one on the U.S. Billboard 200 chart, making Knowles the second female R&B artist this decade to have her first three albums debut in the top spot, and has been certified double platinum by the RIAA, making it Knowles’ third consecutive number-one album.

The album has so far spawned four worldwide hits: “If I Were a Boy”, “Single Ladies (Put a Ring on It)”, “Halo” and “Sweet Dreams”, as well as the U.S. only singles “Diva” and “Ego”.

Check out Beyonce’s new music video for “Ego“, the fifth single off her latest album, I Am… Sasha Fierce

“My goal for the video is simplicity,” the 27-year-old singer told EW. “In ‘Single Ladies (Put a Ring on It)’, I saw this old tape of Bob Fosse’s wife, and I used that as inspiration. I thought in this world, with all the technology and everything that’s going on, to strip everything down—great idea. So I kind of did the same thing, but glossy and black, for ‘Ego’.”

Beyonce – Ego (featuring Kanye West) (Official Music Video) –

Popularity: 13% [?]

Sky Blu and Redfoo of LMFAO may actually be having as much fun as they describe in their music, but there’s still little doubt they’re a comedy act. The liner notes for Party Rock do indeed include dancefloor polaroids of beautiful babes, but also plenty of shiny robots smiling for the camera. For their full-length debut, Party Rock, the dance hit “I’m in Miami Bitch” is firmly in place, and still sounding pretty hilarious as a satirical exposé of the hedonistic Winter Music Conference held every year. Sky Blu and Redfoo have almost as many laugh lines in their lyrics as the Lonely Island, even if their production aesthetic shows more than a little knowledge of Spank Rock. They’re solid producers overall, even if they run out of song ideas halfway through the album (no extra points for being able to predict the theme or lyrics of “What Happens at the Party” or “Leaving U 4 the Groove”). Pitched somewhere between a self-aware BrokeNCYDE and more sincere party rap (as crazy as that sounds), Party Rock is an indulgent record with plenty of fun and immaturity to keep you partying for days.

“Party Rock” available at All That Music & Video now!

Popularity: 11% [?]

James Brown’s performances were famous for their intensity and length. His own stated goal was to “give people more than what they came for — make them tired, ’cause that’s what they came for.’”[40] Brown’s concert repertoire consisted mostly of his own hits and recent songs, with a few R&B covers mixed in. Brown danced vigorously as he sang, working popular dance steps such as the Mashed Potato into his routine along with dramatic leaps, splits and slides. In addition, his horn players and backup singers (The Famous Flames) typically performed choreographed dance routines, and later incarnations of the Revue included backup dancers. Male performers in the Revue were required to wear tuxedoes and cummerbunds long after more casual concert wear became the norm among the younger musical acts. Brown’s own extravagant outfits and his elaborate processed hairdo completed the visual impression.

A James Brown concert typically included a performance by a featured vocalist, such as Vicki Anderson or Marva Whitney, and an instrumental feature for the band, which sometimes served as the opening act for the show. Although Brown released many live albums, Say It Live & Loud: Live in Dallas 08.26.68, released by Polydor in 1998, was one of only a few audio recordings that captured a performance of the James Brown Revue from beginning to end.

Popularity: 7% [?]

Following his first #1 Pop album and his third platinum-plus disc, 2007 s Grammy® winning Call Me Irresponsible, singing sensation Michael Bublé returns to the stage with the live CD+DVD package Michael Bublé Meets Madison Square Garden. Featuring powerful performances of his hits ‘Everything,’ ‘Home’ and ‘Feeling Good,’ he brings the December 5, 2008 concert at one of the most famous venues in entertainment history home to fans with Michael Bublé Meets Madison Square Garden.

Track Listings

Disc: 11. I’m Your Man 2. Me and Mrs. Jones 3. Call Me Irresponsible 4. I’ve got the World On A String 5. Lost 6. Feeling Good 7. Home 8. Everything 9. Crazy Little Thing Called Love 10. Song For YouDisc: 21. DVD of 60 minute concert, plus 2 bonus songs (Stardust and You’re Nobody ‘Til Somebody Loves You)

Popularity: 2% [?]

esmee danters

Esmee Denters is a singer-songwriter who began singing cover versions of popular songs on YouTube back in August 2006. She caught the attention of Dutch artist manager Jonathan Berhane who in turn introduced her to Grammy nominated songwriter and manager Billy Mann.

Denters’ manager arranged for her to meet Justin Timberlake at one of his concerts ^[2] and from there they signed the deal. Tennman Records announced that she would be opening for Timberlake at 10 venues during his 2007 European tour.^[3] According to several magazines she is the first unsigned singer in history to go directly from a personal YouTube posting to commercially performing on a major stage.

Tennman Era

Denters finalised her deal with Tennman records ^[1] in late 2007 and began working with Justin Timberlake on her first album, on to which Denters appeared on Dutch radio channel Radio 538 on April 12 and confirmed her debut album was titled “Outta Here“. She talked about working with producers and writers Ryan Tedder, Stargate and Timberlake. The first single off the album, is “Outta Here” (a song off the album of the same name, produced by Polow da Don), and was released to radio on April 13 and was made available to download from April 14, 2009. A video for the single began production on March 25, 2009 and premiered on Dutch music channel TMF on May 13, 2009^[4].

Oprah Winfrey invited the rising star to appear on a special edition of her title show which was dedicated to Youtube.

In November 2008 Denters and Timberlake released a duet in the US called “Follow my Lead” as a charity single. The proceeds of the single will be donated to a chain of children’s hospitals that Timberlake supports.^[5] It was announced that in 2009 she will support Enrique Iglesias‘ Greatest Hits tour at European Venues.^[6] On March 15, 2009 following Youtube’s copyright dispute with the British Song Writer’s Association Denters was banned from Youtube for a few days due to her covering songs which had been removed by publishing companies. ^[7]

Esmée Denters InterscopeGeffenAM

Popularity: 2% [?]